Here are the power requirements:
1) Audio circuits: +16V/35A, -16V/35A
2) Motorized faders +12V/50A
3) Control circuits: +5V/30A
I decided for HRP-600-15 (two in series for the +/- 16V), HRP-600-12 and HRP-300-5.
https://www.meanwell.com/webapp/product/search.aspx?prod=HRP-300
https://www.meanwell.com/webapp/product/search.aspx?prod=HRP-600
For the 48V phantom power I’ll use the existing linear supply.
The power supplies are remote and require to be wired to the console bridging a distance of ~8m. My plan is to have a central GND for all supplies (as the individual voltages go on a central GND copper rail anyway). In order to have a constant supply voltage, I'm going to connect the sense input from the power supply directly to the relevant power rail within the desk.
So far so good. While I don’t very much care for SMPS noise and ripple with regard to the fader motors and the control circuits, I do care for the audio circuits. Since my knowledge is limited in that regard, I first had a very naive idea: a simple RC low-pass filter with the 8m cable as the R and a suitable C for a cut-off frequency of about 30kHz. – assuming the cables R=0,01 Ohm, the C accounts to ~530µF – at 16V not hard to accomplish. In order to care for the typical spikes at around 10-100MHz I’d place some ceramics in the pF range right at the incoming DC lines at the desk.
Why I’m here… just for absolution?

Does anyone here who has some experience with filter designs under such load? There are still lots of discussions SMPS vs. linear supplies but I’ve seen (and heard, of course) top-class amplifiers with SMPS and didn’t hear a thing without an input signal and full gain – so it’s obviously doable.
Any thoughts and comments are much appreciated – and don’t bother with critics, I’m neither fragile nor resentful!

Christian.